Sunday, April 15, 2012

Clyde’s Movie Palace: Man’s Favorite Sport? (1964)

 

Directed
by
Howard Hawks
Written
by
John Fenton Murray & Steve McNeil
based on a story by
Pat Frank


I am not a fisherman.  That is not to say I’ve never been fishing.  I have on numerous occasions taken my rod and reel  in hand and headed to a nearby lake or stream to enjoy the wondrous pleasures that nature has to bestow upon us  as I’d sit  idly under some shady oak tree  for three or four hours hoping my wiggly slimy  night crawler would  offer up his life for that evening’s dinner, so the catch of the day could  be  fried to a deep tasty golden brown over an open fire. Sounds great doesn’t it?  Too bad it’s all bullshit.  I never really cared for the sport.  I was just never any good at it.  I couldn’t so much as snag an old tennis shoe, rusty 1925 license plate,  or some castoff chunk of Goodyear out of the river.

I did scoot off to some local pond a few times with a couple of neighbor kids way back in the times of the ancients, but only because they just wanted someone along.  I had no fishing equipment of my own, and they would usually give me some crappy old cane pole of theirs to dip in the water.  Needless to say, I never caught anything.  My only consolation?  Neither did they except for a blue gill or two weighing about an ounce, two at the most. 

My dad?  Forget it.  I’m not sure if he knew anything about fishing, but if he did he never told me about it.  I certainly never saw him tickling a rod and reel the way he could tickle the ivories on a keyboard.  I have a feeling that he probably had a  low opinion of the sport.  I do know his brother fished because my cousin posted a picture of the two of them together at a fishing trip on Facebook.

Things were different after I was married to wife Numero UnoShe loved to fish, as did my ex-old best friend Fred.  So I actually did learn to at least look like I knew what I was doing. And I think I even managed to catch  a few.  The problem was that they had to be cleaned before they could be eaten.  And guess who got stuck with that chore?   And I couldn’t do it in the sink in the house because ex-wife number one didn’t care for the mess or the smell.  She was a neatness freak.  The ashtrays in our house were cleaned after every single cigarette.  Both of us were smokers, but we had the cleanest butt depositories in the neighborhood.

Unfortunately, the last batch of fish that we caught together, I took outside and was gutting them when I was attacked by the biggest swarm of blood sucking mosquitoes you’d ever want to see.  In fact, I expected Irwin Allen to come popping out around the corner with his camera crew at any second.  Seriously.  I somehow managed to finish the task, but it was also the last time that I ever went fishing.  That would have been about forty years ago.  I don’t miss it and have no desire to revisit that chapter in my life which is why I now live out in the desert.

Another point I want to make here is that  with all the information now available on the internet, one could easily  gather up enough information and write their own treatise on just about anything and make people believe they are an expert on any variety of subjects.  A few years back when I wrote this fictional  story about a gay teen growing up and coming to terms with her sexual identity, I wanted to be sure that particular  part of the story was factually based.
 

So I spent hours and hours researching and finding out what I could.  I know it was just a Sims story, but my whole motivation for getting it right was because of all the misinformation being plastered in one story after another that was being uploaded to The Sims 2 web pages.   I wasn’t trying to pass myself off as an expert on gay life styles, but I needed my fictional story to have a basis in reality.

Let’s suppose that  I wanted to write a non-fictional book about how you could  become  the best damn  fisherman that ever lived.   Would it be that difficult in this day and age of speedy research  to pull it off? There’s hardly any information one can’t obtain on the internet, and as long as I re-phrased and re-worded everything, I just might get away with it.  If I got stumped, I could always give my cousin in Ohio a call to help me out.   I could even take some of my cousin’s Facebook pictures and photo shop myself in for effect.  I’m sure he wouldn’t mind.  And then maybe I could sell it as a Kindle download for about $3.00 a pop. 

So let’s pretend there were no Google, no Wikipedia, and no Bing.  It would be a lot tougher to pull off such a stunt.  But it could still be done, if one read enough books on the subject, or knew enough fishermen who were themselves rather knowledgeable and willing to let you pick their brain.  In that case you just  might be able to get by.  You could then take everything you learned and put it into a best selling guide on how to become a champion fisherman.  

Submitted for your approval,  the case of one Roger Willoughby (Rock Hudson).  Willoughby  works in an Abercrombie and Fitch outlet located in California.  No, he doesn’t sell overpriced overhyped sexually provocative  clothing to teenagers  carousing in and out of the  mall.  Up until 1976, A&F sold overpriced sporting goods equipment, mostly for hunting and fishing excursions to old farts like me who carouse just about anywhere.  Willoughby is the head honcho in charge of the fishing department.  He is so knowledgeable about angling and anglers, that he’s even written a best selling guide called Fishing Made Simple. If he were to write the same book today, it would be called Fishing For Dummies.

Fishermen one and all come into the store to ask Willoughby’s advice on everything from the right equipment, the right lures, the correct bait, the best casting method, and the best places to fish and what fish to try and catch on any given day. Some, like Major Phipps (Roscoe Karns), swear by Willoughby’s book, and when given the chance to enter a fishing tournament at nearby Lake Wakapoogee he goes directly to Roger  for help.

 
Willoughby is more than willing to help the major, right after he gets the correct information from another customer who  coincidentally happens to be fishing at the same lake where the fishing tournament is to be held.  Nothing wrong with that I suppose, especially since any sportsman worth their salt would want the latest updated information:  The fish of the day is trout, caught between ten and eleven in the morning with a water temperature of 68 degrees just below the surface starting with a Colorado Spinner and ending with a Super Duper.  See, I’m an expert already.

 
Willoughby’s sales pitch is interrupted when he is called to the office of the store’s owner and fussbudget, William Cadwalader (John McGiver).  Waiting for him along with his boss are two attractive women, Abigail Page (Paula Prentiss) and  Isolde 'Easy' Mueller (Maria Perschy).  Isolde is the daughter of the owner of the lodge at Lake Wakapoogee and Abigail is the Director of Public Relations. Having met the pair earlier in the day when they stole his parking place causing him to get a ticket and be late for work, Willoughby is none too happy to be reacquainted with them.  Roger is even less happy when he finds out that Abigail has sweet talked Cadwalader into ordering  him to fish in the upcoming tournament at Lake Wakapoogee.



Unable to convince the two ladies that he has a very good reason for not participating, it becomes necessary for Willoughby to let the cat out of the bag.  Roger  can’t enter the tournament because he has never fished.  And since he can’t fish, there is no way that Abigail and Easy should want him as their celebrity fisherman.    But it doesn’t matter. 

Abigail sees no problem as being completely insurmountable.  After accusing Willoughby of being a phony and a fraud, she then blackmails him into going to Lake Wakapoogee to participate in the tournament despite his shortcomings by threatening to  reveal his secret which would cause him to be fired.   My question is, if Abigail can get on her moral high horse and accuse Willoughby of being a fake, what does that make Abigail who uses blackmail ?  It bugs me every time I’ve seen this movie.  And besides, it’s a stretch to say Willoughby is a phony when he has never ever actually claimed that he had gone fishing.  Oh what the hell.  Maybe I’ve just set my moral standards too low.  Or would that be too high? 

Take Gregory House for instance.  House knows as much about medicine and diseases as anybody but you almost never see him with a scalpel in his hand inside an operating room.  But I guarantee you he could write one hell of a book on the subject if he so desired and provided he could stay off vicatin long enough to find the keys on his PC.  

But I guess it doesn’t matter.  You have to get the dude up to the lake to do some fishing somehow or other or we’ll have  no wacky slapstick comedy scenes of Willoughby attempting to become one with nature.  And blackmail works as well as any plot device, although it doesn’t particularly endear us to Abigail.

Once he arrives in the stomping grounds of Yogi and Boo Boo Bear, instead of checking into a  lodge the well over equipped well over camping equipped Willoughby does his  best to to pitch a tent but instead only succeeds in pitching a fit especially after his main adversaries  arrives on the scene.  That would be Abigail and Easy.

Willoughby:  Where did you come from?
Easy: Down at the lake
Abigail:  What are you doing?
Willoughby:  I am setting up a tent
Abigail: Oh?
Easy: Are you?
Roger: After which I shall try making a bed.
Abigail: Can we help?
Willoughby: Yes. Go away.
Easy (in regards to Roger’s over abundance of equipment): I’m curious, what is all this about.
Willoughby:  This is Mr. Cadwalader’s idea of what a well equipped camper should have.
Abigail:  Well why are you camping?
Roger:  Again, Mr. Cadwalader’s idea.  He seemed to be inspired since he met you.
Abigail: Oh well now, don’t be angry Roger, it wasn’t my idea. 
Roger:  Miss Page
Abigail: Um…hm.
Roger: I had time to think while driving up here.  I don’t think you can ever get me angry again.
Speaking of Easy, I’ve scanned through the DVD several times now and not once is it mentioned as to how Isolde obtained that moniker.  I guess it is supposed to be left to our imagination.  So you have my permission to come up with any wild scenario you can dream up, just as I have.



Abigail and Easy do their best to  convince Roger that it would be in his best interest to stay at the lodge. 

Easy:  You don’t have time to learn camping.  You’ll have enough trouble learning how to fish.
Abigail:  After the tournament you can learn how to make your bed.
Roger: Mr. Cadwalader told….
Abigail:  Phooey on Mr. Cadwalader.

Or as Abigail later tells him, “if  anybody sees him camping, they’ll know he’s never  been “out of a hothouse before.”

   


As if to lend credence to their words, lurking nearby is John Screaming Eagle who has overheard much of their conversation.  John does a lot of lurking in this movie.  I don’t know if he’s supposed to be a peeping tom or what he is exactly except that when there’s anything worthwhile going on you’ll find him nearby standing with his arms crossed because that’s Hollywood’s idea of what Indians do.  Especially pretend ones. Nowadays Mr. Screaming Eagle would have the last laugh by running his own casino.

I think the real reason Mr. Eagle is here is because  the story needed  a character of convenience.  It’s always good to have one around when you need to tweak the plot a little bit.   Here, he shows up to prove Abigail’s point and to nab $5.00 from Willoughby to buy his silence and help pack up Roger’s camping equipment.  If this film were a drama, Mr. Screaming Eagle would be the comic relief.  But since Man’s Favorite Sport is already  a comedy, it hardly needs any  relief form itself.  Maybe he’s just an extra added attraction.  Sort of like going to McDonalds and running into Ronald in the parking lot.


More complications ensue.   Roger’s fiancé Tex ( Charlene Holt) has made reservations to join him at Lake Wakapoogee, and Roger has yet to tell her about his lack of fishing  and camping expertise

It is Abigail’s duty to teach Roger how to fish.  There’s a trail bike stealing bear on the prowl, and Roger also has fun testing new untried sporting equipment such as inflatable waders which may or may not come in handy because among his many other camping deficiencies, Roger has never been boating and he can’t swim.

 


There’s an old slapstick comedy rule of thumb:  When a man can’t fish, can’t swim, and can’t boat while wearing inflatable waders, you know with one hundred per cent certainty that this mix will come into play sooner rather than later, leading to off the wall hijinks, mirth, merriment, and knee slapping hilarity.  Or perhaps a chuckle or two.


Roger eventually hooks his first fish, but as any fisherman knows, hooking a fish and getting him reeled in are two different animals.  The other fishing lesson we learn from Man’s Favorite Sport is that sometimes you don’t even need a rod, a reel, a hook, or bait.  All you need is a good pair of waders, a bear, and a tree.   You’ll find out.


For all the outdoor fishing and camping scenes, Man’s Favorite Sport? is another take on the old romantic comedy premise where a man and women meet and seem to be completely incompatible.  In this case, Abigail finds herself falling for the guy she has done nothing but antagonize through the first half of the movie.  So much so that Roger Willoughby would like nothing more than to be as far away from her as possible, with the hope that he would never have to see Abigail again. 

And it’s easy to see why.  Abigail will get on your nerves at times.  She talks fast, changes subject in mid sentence, and rattles on endlessly, sometimes almost incoherently.  So pay attention, because eventually she’ll grow on you and work her way into your heart despite her propensity for being obnoxious.  You can attribute that to Paula Prentiss, who  never lets her character become so over the top irritating that she alienates you.  In fact, once you get used to the rapid fire overlapping dialogue that runs rampant in this film, it’s a real hoot.  You’ll probably want to go back and watch it a second time just to hear what you’ve missed.

Hudson is good here as well.  The role was meant to go to Cary Grant at one time, and while they are birds of a different feather, it’s a bit of a switch for Hudson to be the nice guy right from the start instead of starting out as the loathsome creatures he played in films such as Pillow Talk and Lover Come Back.  And given the chance to do a lot of comedic slapstick as the inept fisherman, he handles it like a pro.


The supporting cast is just what the term implies.  They are here to prop up our two leads for the most part, but they fit in nicely.  Character actor John McGiver who made a career out of playing the nit picking worry wart, does it well here.  How can you not like a guy with a name like Cadwalader?  Just saying it elicits a chuckle.  For that matter I love all the names of the characters in this movie.  With names like “Cadwalader, Willoughby, Abigail, Easy,  Screaming Eagle, Tex, Skaggs, and Major Phipps it’s better than a novel by Dickens.

Maria Perschy is charmingly beautiful as Abigail’s friend and confidante Easy.  And she has a simmering, sultry, sexy quality to her, not to mention the sexiest back one might find in an early sixties movie (Read on for an explanation).  Although Perschy was never a huge star, she was an international one having starred in numerous foreign films, U.S. films such as 633 Squadron, and guest starred on a long list of television shows including Hawaii Five-O.  


Charlene Holt, a former Miss Maryland who plays Roger’s fiancé Tex, comes on long enough to play the part of the aggrieved girlfriend.  And to wear a very revealing negligee which helps make the visit worth while.  Holt would also do most of her acting in TV series but would work with Hawks again in Red Line 7000 and another film.  Read on to find out more about that gig as well.  Her last listed appearance was in the 1980 film Melvin and Howard,  and according to the IMDB she passed away in Tennessee in 1996 at age 67.



Roscoe Karns as Major Phipps and Forrest Lewis as Skaggs are Willoughby’s main competition in the tournament but their own personal rivalries and friendly bickering with each other adds a nice touch to the film.  Both of them were old pros at this sort of thing.  Karns began his career in 1915 and has a list of film credits as long as both of your arms.  Lewis began his career in 1943 at the ripe old age of 44 and was a consistent character actor on television, even having appeared on the Andy Griffith Show six different times as six different characters.  Man’s Favorite Sport is Karn’s last listed film role on the IMDB, and he would pass away six years later.  On a trivia note, Karns appeared in both the first talkie, The Jazz Singer, and the first Academy Award Winning Best Picture, Wings.

All is not peaches and cream however.  There are times when this film screams, “filmed on the studio lot.”  During some of the fishing scenes at the lake I fully expected Gilligan, The Skipper, and the rest of the gang to come floating up on the S.S. Minnow.  The film has a low budget cheap studio look to it which puts a damper on the feeling that you are really part of the great outdoors.

And there are some bits that don’t work.  I’m thinking of one incident in particular that involves a fake broken arm and a little bird that fell out of a tree.  It’s not particularly funny, and for all the time spent on it, the whole thing leads nowhere.  If it were excised from the film you would never miss it. 

The worst part of the movie for me had to be the opening credits which featured an abundant bounty of  scantily clad women in bikinis accompanied by one of the worst theme songs in the history of motion pictures, neither of which actually has anything to do with the content of the film.  The theme song was written by Henry Mancini and Johnny Mercer and I can only surmise these two great composers were on a drunken binge when they wrote it.  It’s that bad.  Although it may be no big deal to most movie goers, I found it beyond irritating and believe me, I absolutely have nothing against eyeballing scantily clad beauties.

The film was directed by Howard Hawks, who was revisiting the kind of rapid fire dialogue driven slapstick comedy screwball films such as his own 1938 movie, Bringing Up Baby.   Baby is listed as number 14 on the AFI top 100 comedy films of all time, and I sought the film out on Amazon Prime based on that fact and to compare it with this film.  Although it’s a good film, I’m not sure I hold Baby in the same high esteem that others do, but then I’m an outlier who shakes his head negatively wondering how The Godfather is often placed in the top ten films of all time.  But Hawks thought so highly of his film, he even even lifted a whole scene from it.


But Hawks gets a pass because Man’s Favorite Sport was originally supposed to be either a remake or a homage.  In fact, Hawks wanted Cary Grant to star in the film but he turned it down because at 59, he thought he was to old to play opposite the much younger 24 year old Prentiss.  

I guess he was practicing for the day when he would completely remake another of his films.  In 1959, he would make Rio Bravo starring John Wayne, Dean Martin, Angie Dickinson, and Ricky Nelson.  Just seven years later in 1966 he would take rehash the whole shebang as El Dorado, again starring Wayne, but co-starring Robert Mitchum, the above mentioned Charlene Holt, and James Caan.  Hawks denied it was a remake, but anyone who has seen both films knows better, and I’ve seen them both.

Man’s Favorite Sport will never be held in the lofty esteem that many other Hawks directed films such as Red River, Gentlemen Prefer Blondes (probably my favorite), Sgt. York, The Big Sleep, His Girl Friday, and The Thing From Another World are.  But it gets by thanks mostly to the snappy dialogue, a very engaging Paula Prentiss and Rock Hudson,  and a plot that may seem a bit absurd but still highly plausible.  It’s hard to figure out exactly why the film sat on the shelf for almost two years before being released because it is pretty good lighthearted entertainment.  And if you’re as light at heart as I am then you leave me no choice but to give you my grade of a B.

Friday, March 2, 2012

Clyde’s Movie Palace: Alfred Hitchcock’s The Birds (1963)


Directed by Alfred Hitchcock
starring
Tippi Hedren
Rod Taylor
Jessica Tandy
Suzanne Pleshette
Veronica Cartwright


As I wrote in this review of The Hills Have Eyes, radiation from nuclear weapons being tested out in the deserts over the ocean and from sea to shining sea has often been the blame for nature running amok in films ever since the development of the first atomic bombs. If it isn't cannibalistic mutants in the desert (The Hills Have Eyes I & II), then it's giant locusts (The Beginning of the End), Giant Ants (Them), Giant Dinosaurs (Godzilla), Giant Humans (The Amazing Colossal Man) or awakening Giant Dinosaurs in the Arctic with radioactive blood (The Beast From 20,000 Fathoms). These so called B movies ran the gamut from being Mystery Science Theater fodder to sometimes being somewhat entertaining and even better than average.

However, there is one "critters that run amok movie" that makes the A list, and that would be Alfred Hitchcock's The Birds. And there isn't one single rad of radiation to be found anywhere in the script. In fact, if you only like your creatures features to come with some goofy explanation of how things came to be the way they were, then you are really out of luck in this film. Just like it was in Daphne Du Maurier' s novelette on which the film is based, there is no real explanation or pat answers to the events that take place in Bodega Bay, so you're pretty much left to fend for yourself.

And as in most of his films, Hitch does it in grand fashion.  In some ways, the first half hour or so reminds me of Psycho whereas if one didn't know what the film was about, it could just as easily be a romantic drama or comedy unfolding where we have our two main characters meet, have total disdain for each other, seem totally incompatible, but later are going to fall in love. Except of course we know that's not what the movie is about and the meeting of Melanie and Mitch in the Pet Shop is part of an extensive exercise known as getting to know the players. Plus, it enables Hitch to start playing his little games with us right away by introducing the lovebirds into the mix which may have something to do with the events that follow, but then very well may be nothing more than a red herring.

Melanie Daniels (Tippi Hedren), the daughter of a newspaper magnate is in a San Francisco Pet Shop purchasing Mynah Birds when she is recognized by attorney Mitch Brenner (Rod Taylor) who sees her as nothing more than a spoiled rich heiress, used to getting her way and has a penchant for playing elaborate practical jokes on others. Think of her as the Paris Hilton of 1962.

Wanting to give Melanie a taste of her own medicine, Mitch pretends that he has mistaken her for a sales lady and confronts her to inquire about purchasing some lovebirds. Melanie, not knowing that Mitch is on to her, plays the part of the sales lady just as Mitch expected she would. Mitch of course, asks her one bird question after another, each and every one of which Melanie gets wrong including not being able to recognize a canary when she sees one. After she has done enough to totally embarrass herself, Mitch reveals that he does in fact know who she is. When she confronts him about it, he tells her that he wanted to her to see how it felt to be on the other end of a practical joke. She in turn let's him know that he is nothing more than a louse.

But if Mitch was trying to cure Melanie, it doesn't work. Using his license plate number to track down his identity, Melanie purchases a couple of the lovebirds to take to Mitch's apartment. When she finds out from a neighbor (Richard Deacon) that Mitch has gone home to Bodega Bay for the weekend, she decides to drive up the coast and deliver them herself.


Upon arriving, Melanie discovers that Mitch is staying with his Mother and his younger sister, but unable to find out the name of Mitch's sister, Melanie is directed to the home of the schoolteacher Annie Hayworth (Suzanne Pleshette).

After revealing that the name of Mitch's sister is Cathy (Veronica Cartwright), Annie becomes very inquisitive in regards to Melanie's connection to Mitch and the Brenner Family. When she tells us that as far as Mitch is concerned, she is a closed book, it doesn’t take a genius to know that they were involved with each other at one time and that the chances of them becoming involved once again are slim to none.


Before heading across the bay to make her delivery, Melanie replaces her original note with one addressed to Cathy, which leads us to believe she may not entirely be a cold and aloof person prone to practical jokes.   After leaving the birds, Melanie takes her boat off of the shore a ways so that she can see Mitch's reaction when he discovers her gift.



Unable to start the boat's motor quickly enough, she is spotted by Mitch who races in his truck to the other side of the Bay to greet her. As Melanie approaches the dock, and when we least expect it, we get our first sign of trouble as she is unexpectedly attacked by a seagull. Hitchcock had almost managed to make us forget what we came here for in the first place, having lulled us into a false sense of security.



As Mitch is tending to Melanie's wound inside the diner, his mother Lydia (Jessica Tandy) happens by. Mitch tries to explain to her whom Melanie is, what her purpose is  for being in Bodega Bay, and what had happened to her. Without hardly saying  anything, the look on Lydia's face tells us that not only that she is suspicious of Melanie, but that she is also none too pleased that Mitch has a new friend. The mark of a great actress is being able to tell the audience so much using only  her eyes and facial expressions, and Jessica Tandy does just that in this particular scene.

Much to the obvious chagrin of Lydia, Mitch invites Melanie to dinner. Melanie, having boxed herself in by telling Mitch that she was staying with Annie Hayworth, tells Mitch she will try and make it unless Annie has other plans. Shortly thereafter as Melanie asks Annie if she can stay at her home, we see a swarming flock of seagulls overhead, again warning us of what is to come. It is similar to a scene we had witnessed  at the beginning of the film where before entering the Pet Shop, Melanie had looked up to see a huge flock of birds gathering in the sky.

It is simply another example of Hitchcock's brilliance that he is able to take something that we take for granted, then use it to not only heighten  the tension, but to raise our expectations as well. Hitchcock knew that anticipation is often just as important as the actual event itself. And as the movie begins to move along more quickly, these foreshadowing events become more and more frequent until we get to the big enchilada.

When Melanie arrives at the Brenner farmhouse, we quickly find out that there is a chicken problem as Lydia's chickens won't eat their feed. Later, when Melanie leaves we see crows (blackbirds?) gathering on the telephone wires.



At Annie's, after a revealing conversation between her and Melanie, a bird inexplicably crashes into the house killing itself. When the first real attack comes, Hitchcock makes it even more horrific by having it occur during the innocence of a children's birthday party, and then later, surprises us again when an innocent conversation is immediately and unexpectedly interrupted as the birds come flying down the chimney in full attack mode. From that point on we know that it is no longer a matter of defeating the birds, but just trying to survive the onslaught.



In horror film after horror film we are seldom given anything but cookie cardboard cut out characters who are put into a horrific situation, probably similar to what we have here. Sometimes we may get to know them on some level and may even care about their predicament. Hitchcock takes it a step further. He breathes life into his characters, not just by letting us getting  to know them on some superficial level, but by filling us in on their flaws and all of the little idiosyncrasies that make them tick, thus bringing a level and texture to the film we probably wouldn't have otherwise.

For instance, in less capable hands we would be given the character of Melanie. Somewhere along the way, probably in the early going, we would in all likelihood be told that she is a poor totally misunderstood rich girl, probably in a three or four minute scene where she pours her heart out to one of the other characters. What Hitch does is to reveal Melanie's traits, flaws included, layer by layer throughout the film, thus making her a far more interesting and complex character that she would be otherwise.

With Mitch, Lydia, and Annie it is no different. They are revealed to us in much the same way. When Melanie first meets Annie, we suspect that there is or had been something between her and Mitch at one time, and Hitchcock gives us time to dwell on it for a while until Melanie returns and it is then that we learn of Annie's past in regards to Mitch. And even though she does her best to convince Melanie that the relationship is over and ancient History, we can see through her charade.

But we also sense something that I'm not sure Melanie does. We sense that even though she says it doesn't, the very fact that Melanie is staying with her and talking to her about her own supposedly non-relationship with Mitch, is painful. Annie is the most sympathetic character in the movie. She hopes for something she can never have, and one suspects that Bodega Bay is what she has settled for not what she really desires.



We might understand Mitch’s  ditching of Annie at one time due to the death of his father although we can't really forgive him for it. But we also see something that Annie doesn't. We can tell that Mitch is at the end of his rope as far as his mother is concerned. It's not that he isn't understanding, but when we see Lydia doing her best to drag Melanie down much in the same way that she did Annie, we can tell from Mitch's reaction that his patience has worn thin,  even if he never states it aloud, thus making Melanie  a much bigger threat to Lydia.

In the film, Lydia has become way too dependent on Mitch much in the way that she was totally dependent on her husband when he was alive. The funny thing is, as the movie progresses there is no doubt that she knows it too, and we suspect that she is just too afraid to function on her own, and just as Annie says, not afraid of being alone at all. And as Annie also says, "one is not the same as the other".



And no, all of this is not thrown into the story just to be there. As we witness each attack, it is how these characters cope with this enormous threat, what happens to them during before and after, that will finally resolve some of these issues one way or the other, mostly because they are pretty much forced to deal with them. It is not that these conflicts are solved and wrapped up in a neat tightly wrapped bow or that everything is cut and dry, because they are not . But we can surmise how it could all end, that is if there is an ending other than the total devastation of mankind.

We never really know for sure.  Just like in many of his other films, Hitchcock never lets us become too sure of the events unfolding in front of us. We are left to fend for ourselves, to put the jigsaw puzzle together on our own so to speak.

Do the Lovebirds really have a part in all of this, and if so what? It is left totally to our imagination to decide although he brings up those two damn birds often enough, along with the fact that they aren't very lovable. And why are the birds that we have always lived in harmony with for the most part suddenly turning on us? Is there a reason?

At one point, a lady in a restaurant accuses Melanie of being the cause of it all as if she were the devil herself out to destroy mankind. What makes it even worse is that as Mitch and Melanie walk slowly into the restaurant, the looks on the others hiding in a corridor tell us that they too have been talked into believing in Melanie's culpability. The scene is reminiscent of a Twilight Zone episode called The Monsters Are Due On Maple Street. It's as if they view Melanie as Linda Blair and she has just finished doing the spider walk that was excised from the original cut of The Exorcist.

To be perfectly honest, when viewing the film you do feel as if somehow something Melanie has done or is doing is responsible even if such a possibility makes no sense at all. It's because you almost feel the need for some kind of explanation, the kind we have been trained to expect but it never really manifests itself. The most logical explanation for all of this then, is that it means nothing more than the fact that Hitch is once again toying around with our psyche in the brilliant manner that he did time and time again.




Tippi Hedren, who was making her film debut in The Birds, is cast perfectly as Melanie, the sophisticated daughter of a big shot newspaper publisher. Sometime I'm not sure her performance here is given the credit that it deserves. You can see a bit of the character's  father in her, because she has this look like she is analyzing what Annie, Mitch and Lydia are telling her against what she can actually surmise from their behavior. Whereas Mitch often questions motives, Melanie finds out what she can and compares it to what she knows and what she can see on her own. In one remarkable scene, we see Lydia trying to clean up the house after one of the Bird attacks. Normally, the camera would focus solely on Lydia but in this case it cuts quickly between Lydia and Melanie, and we can see Melanie trying to size up the situation.

As for the bird attacks themselves, even in 1963 terms, they are impressive and frightening. Making matters worse is the fact that two of the most violent attacks come against children, at the aforementioned birthday party, and later at the Bodega Bay school.

It is at the school where once again Hitch weaves his magic wand. As Melanie sits out by the playground, we see what she cannot as her back is turned. We watch in horror as one bird becomes two, two becomes four, four become eight and so forth and so on while the children sing a playful song inside. It is not until Melanie stands and turns that she sees what we have seen all along. The attack on the school children that follows is still one of the most horrific sequences ever to be put on film, emphasized by the fact that it once again is an attack on those that are least capable of defending themselves.  (The videos below from hulu have been somewhat problematic.  You may or may not have to refresh your browser in order for them to load.)






But there is more. In a scene played to perfection by Jessica Tandy, Lydia goes to a farm house and discovers the mutilated body of Mr. Fawcett, it would be at this point that most directors would have her simply scream and the guy outside would come running into the house. But Hitchcock plays the scene for every cent it is worth making Lydia so horrified that she when she opens her mouth there is no sound and she can only run in total terror.

In another scene we watch as a puddle of gas flows to where a man is lighting a cigarette while standing next to his car. The patrons in the restaurant yell at him from the window, but of course since they are yelling different things simultaneously he's not sure what exactly it is they are hollering about. After he drops the match, we see the different looks of horror and helplessness on Melanie's face in cut stills as the flame works it’s way to the pump.

As the birds descend on the town, Melanie becomes trapped in a phone booth, and it from here that just like Melanie, we have a front row seat to the devastation. By the time Tippi Hedren had spent a week filming a later sequence that takes place at the Brenner home, she had to be hospitalized for exhaustion.





I have to admit that the first time I saw the film, I was a little put out by the ending. But I was about fifteen at the time and watching it on NBC where it became (at that time) the most watched theatrical film on television ever until it was taken over some years later by Love Story. I was used to seeing films wrapped up with that pretty bow at the end of the story, and it wasn't until later that I began to appreciate the fact that sometimes its best to write your own ending and decide for yourself.

As I matured, I realized that any other ending would have ruined the film although Hitchcock at one time had the idea to have Mitch, Melanie, Lydia, and Cathy drive into San Francisco with the Golden Gate Bridge covered with birds.

The Birds was once voted the Seventh Scariest Movie of all time in a poll conducted in Britain in 2006. I won't disagree with that assessment. In the over forty years of its existence, the film is just as superb in 2012 as it was in 1963 or even 1968 when I saw it for the first time. And when you combine all the ingredients put into this film, you can bet that I have no choice but to give it my grade which is an A.

The Birds is available to buy on DVD from Amazon, or to rent from Netflix.  The best news is that in celebration of Universal Studios 100th Anniversary, they will be releasing a remastered edition on Blu-ray some time this year (2012), although there is no specific release date.  But you can do as I did and preorder from Amazon with their lowest price guarantee, something I’ve already done.  I really look forward to that.